Kit list
Standard PSC rig:
SoundDevices 633 (with Wingman)
Ambient Boom poles with MKH50/60
Camera looms to suit
2x Radio Mics with DPA6060 or Sanken Cos-11
Mobile battery options for 24hr operation
Ambeo VR360 rig:
Sennheiser Ambeo 360 mic with Rycote wind protection
Low-profile grip options for mic
Zoom F8N recorder
Insta360 OneR camera
Stereo rig:
SoundDevices 633 or 552
Schoeps CCM8 & Sennheiser MKH-50 Mid/Side in Cinela Pianissimo
Various other A/B, X/Y, & AEA Decca Tree configurations available
Boom pole options
NEWS & Special Events rig:
As standard PSC rig plus:
6x Cabled lav mics
Presenter’s/Reporter’s IEM kits (wireless and cabled options)
Pool camera distribution system
Sync-it
Mains powered & battery options for continuous operation
Radio Microphones:
Audio Ltd A10/A20 Digital radio mics (with TC and built-in recording) x4
Micron Explorer x7
Sennheiser G3 x2
Plug-On style TX x3
Microphones:
Sennheiser MKH50 & 60 on digital wireless booms
Sennheiser ECM77
Schoeps CCM8
Lavalier mics DPA6060, Sanken Cos-11, Countryman B3, Tram TR50
Extras:
Time Code Systems Buddy, Wave & UltraSync x3
Wireless Camera hops x2
Wide variety of Plant Mics e.g. Sanken Cub-01
Client multi-headphone distribution/ Wireless IEM
Post Production:
DAW based Post-production, edit, re-mix capability
Rates
I, like all professional soundies, use BECTU’s rates as a guide for broadcast productions. I work closely with production before and during every shoot to work out the costs as soon as possible so my clients are always happy with the agreed rates; there are no surprises or hidden costs and I don’t overcharge for extras.
Please contact me by email for a rate card.