Kit list

 

Standard PSC rig:

SoundDevices 633 (with Wingman)

Ambient Boom poles with MKH50/60

Camera looms to suit

2x Radio Mics with DPA6060 or Sanken Cos-11

Mobile battery options for 24hr operation 

Ambeo VR360 rig:

Sennheiser Ambeo 360 mic with Rycote wind protection

Low-profile grip options for mic

Zoom F8N recorder

Insta360 OneR camera

Stereo rig:

SoundDevices 633 or 552

Schoeps CCM8 & Sennheiser MKH-50 Mid/Side in Cinela Pianissimo

Various other A/B, X/Y, & AEA Decca Tree configurations available

Boom pole options

NEWS & Special Events rig:

As standard PSC rig plus:

6x Cabled lav mics

Presenter’s/Reporter’s IEM kits (wireless and cabled options)

Pool camera distribution system

Sync-it

Mains powered & battery options for continuous operation

Radio Microphones:

Audio Ltd A10/A20 Digital radio mics (with TC and built-in recording) x4

Micron Explorer x7

Sennheiser G3 x2

Plug-On style TX x3

Microphones:

Sennheiser MKH50 & 60 on digital wireless booms

Sennheiser ECM77

Schoeps CCM8

Lavalier mics DPA6060, Sanken Cos-11, Countryman B3, Tram TR50

 

Extras:

Time Code Systems Buddy, Wave & UltraSync x3

Wireless Camera hops x2

Wide variety of Plant Mics e.g. Sanken Cub-01

Client multi-headphone distribution/ Wireless IEM

Post Production:

DAW based Post-production, edit, re-mix capability

Rates

I, like all professional soundies, use BECTU’s rates as a guide for broadcast productions. I work closely with production before and during every shoot to work out the costs as soon as possible so my clients are always happy with the agreed rates; there are no surprises or hidden costs and I don’t overcharge for extras.

Please contact me by email for a rate card.